Skip to content
Skip to the content
logo mainlogo darklogo light
  • About
  • RAVENSCRAIG STORIES – 30 YEARS ON
  • EXHIBITION
  • Journal
logo main
  • HOME
  • About
  • RAVENSCRAIG STORIES – 30 YEARS ON
  • EXHIBITION
  • Journal

Rewilding Or Renewal?

In North Lanarkshire, Graham Butt’s Campfire History offers an alternative way of engaging with the landscape—one grounded not only in history, but in reflection, connection, and healing. Through guided woodland walks, storytelling, bushcraft, and shared moments around a fire, Butt creates spaces where people can reconnect with both nature and themselves. His walk through the Ravenscraig site, and his connection to it, are deeply personal. Growing up nearby, he remembers the steelworks’ iconic blue towers dominating the skyline—landmarks that signalled home. “That was your cue that you were coming home,” he recalls. At the time, he didn’t fully grasp the scale or significance of the industry, but its presence left a lasting imprint.

 

The demolition of Ravenscraig marked more than the end of steel production; it signalled a profound shift in the identity of the area. For Butt, its closure is still felt today in the social and economic challenges facing the community. “There is still a lot of social deprivation and high poverty—and that’s a direct effect of Ravenscraig closing, even now, 30 years on.” His work with young people, particularly through Campfire History and Socialtrack, is rooted in this reality. Working outdoors with the community has long been his passion—offering not just skills, but space, support, and a sense of belonging.

 

Today, Butt sees Ravenscraig as a landscape in transition, telling a quieter and more complex story than its industrial past. Where steel and concrete once dominated, nature is steadily reclaiming ground. Moss spreads across the surface, creating the conditions for new life—first grasses, then hardy trees like birch and alder. “It all starts with the moss creating the compost for the seeds,” he says, pointing to the quiet persistence of these small organisms. In time, they begin to heal the soil, breaking down concrete and turning what was once barren and industrial into something capable of sustaining life again.

 

This natural regeneration—slow, unplanned, and resilient—embodies a cycle of destruction and renewal. it is both powerful and necessary.

 

 

Yet Ravenscraig is also a place of tension. Debates continue over its future: redevelopment or rewilding, economic growth or ecological recovery. Over the past several decades, various industrial, retail, and housing plans have been proposed, but none have fully taken hold. Butt believes that any meaningful regeneration must come from within the community itself. “There is no point in the council or landowners parachuting in and saying, ‘we’re going to build this or that’—it’s not going to work. It needs to respond to what the community actually needs and wants.”

 

At the same time, while he recognises the importance of job creation and economic opportunity—and the complexity of balancing ecological and economic futures—his personal view is firmly in favour of allowing the land to rewild. He sees nature as the most effective way to restore and detoxify the environment. “The best way to get rid of pollutants is to let the trees do what they do,” he reflects.

 

For Butt, Ravenscraig is not just a site of loss or potential, but part of a longer, ongoing cycle—one that extends beyond industry, beyond redevelopment plans, and even beyond the present moment. “Nature goes through cycles. It will recover, no matter what you do to it. A hundred years ago this was farmland and meadow. Then came industry, then closure, demolition, and now regeneration—all within a century. It’s just another scar, another chapter in nature’s story.”

 

Categories:
Ravenscraig Stories
Date:

22 May 2026

Prev Next

the_lastfoundations

Filming this morning on location for my new short Filming this morning on location for my new short film ‘Scars’ with former Ravenscraig worker, poet and writer Martin Brown.
 
The film will be premiered at @the_lastfoundations exhibition in September via @northlanarkshire arts

Project supported by @creativescots, NLArts , @wilfiamgrantfoundation

#ravenscraig
“This natural regeneration—slow, unplanned, and re “This natural regeneration—slow, unplanned, and resilient—embodies a cycle of destruction and renewal. It is both powerful and necessary.”

BETWEEN RECLAIMING AND RENEWAL 

The Last Foundations - Ravenscraig 30 Years After Demolition

A visual arts project by Chris Leslie

https://www.thelastfoundations.com/portfolio-item/between-reclaiming-and-renewal/
Seasons change... #ravenscraig Seasons change...

#ravenscraig
The Last Foundations - Today’s Birds Eye view… # The Last Foundations - Today’s  Birds Eye view…

#ravenscraig
THE LAST PUB STANDING.... Peter Reilly, landlord THE LAST PUB STANDING....

Peter Reilly, landlord of the King Lud pub in Craigneuk, has spent much of his life in the pub trade. Over the years, he has watched the community change dramatically since the closure of the Ravenscraig steelworks....

https://lnkd.in/e4Pwma4k
@the_lastfoundations Portraits of Ravenscraig - @the_lastfoundations 

Portraits of Ravenscraig - 30 years after Demolition

POLITICS AND MOVING ON 

Frank Roy’s journey from steelworker to Member of Parliament reflects the story of Ravenscraig itself — a place shaped by heavy industry, political struggle, and eventual transformation. 

Roy began working at the Ravenscraig steelworks at the age of nineteen. “It took me three years and sixteen applications to get in,” he recalled, demonstrating the determination shared by many young men in the area who saw the plant as a chance for stable employment and a job for life......

https://lnkd.in/eeYYJ3hx
TRACING RAVENSCRAIG So, how do you begin a visua TRACING RAVENSCRAIG 

So, how do you begin a visual arts project documenting something that is no longer there?

https://www.thelastfoundations.com/portfolio-item/tracing-ravenscraig/

#ravenscraig
THE LAST FOUNDATIONS - HOW IT BEGAN... In the sum THE LAST FOUNDATIONS - HOW IT BEGAN...

In the summer of 2025, I signed up for an Artwalk and outdoor film screening at the site as part of Archfringe. I knew that, being an Architecture Fringe event, it would be something special — something thoughtful, and likely something that wouldn’t be repeated in quite the same way...

https://www.thelastfoundations.com/the-last-foundations-how-it-began/
Follow on Instagram

©2026 The Last Foundations / Chris Leslie

mm
mm
mm
mm
mm

CHRIS LESLIE

07737 370481

chris@chrisleslie.co.uk

  • fb
  • li